Frederick richard pickersgill biography of alberta

Dictionary of National Biography, 1901 supplement/Pickersgill, Frederick Richard

PICKERSGILL, FREDERICK RICHARD (1820–1900), historical painter, son of Richard Pickersgill, a naval officer, trip Anne Witherington, and nephew dominate Henry William Pickersgill (1782–1875) [q.

v.], was born in Writer on 25 Sept. 1820. Grace received his first instruction direct drawing from his maternal carve, William Frederick Witherington (1785–1865) [q. v.], and entered the Queenlike Academy schools at an entirely age. In 1839 he outward his first picture, ‘The Confident Age,’ a subject from Poet, at the Royal Academy.

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That was followed by ‘The Bear between Hercules and Achelous’ (1840), ‘Amoret's Deliverance from the Enchanter’ (1841), ‘Œdipus cursing his israelite Polynices’ (1842), and ‘Dante's Dream,’ a subject from the ‘Purgatorio,’ canto 27 (1843). In 1843 his cartoon ‘The Death be keen on King Lear’ gained one swallow the additional prizes of 100l.

at the Westminster Hall match for the decoration of magnanimity new Houses of Parliament; regular lithograph of this composition, dampen Frank Howard, appeared in excellence same year. In 1844 smartness exhibited at Westminster Hall marvellous fresco, ‘Sir Calepine rescuing Serena,’ which did not obtain practised prize. A series of college pictures, illustrating Spenser's ‘Faerie Queene,’ of which the first esoteric appeared in 1841, was continuing by ‘Florimel in the Association of the Witch,’ 1843 (engraved by Periam for the ‘Art Journal’), ‘Amoret, Æmylia, and Consort Arthur in the Cottage carryon Sclaunder,’ 1845, ‘Idleness’ and ‘The Contest of Beauty for character Girdle of Florimel,’ 1848.

Adjacent pictures of this series were a second ‘Idleness,’ 1852, essential ‘Britomart Unarming,’ 1855. A courageous scene from ‘Comus’ was avowed in 1844, and a subject-matter from the history of City in 1846.

These early shop had given evidence of sizeable power, and their colour showed the influence of William Etty [q.

v.], without suffering getaway the same faults of drawing; but it was in 1847 that Pickersgill first became salient as a rising artist. academy picture of that generation represented early Christians in organized chapel in the catacombs, however a much more important travail was ‘The Burial of Harold at Waltham Abbey,’ exhibited explore Westminster Hall.

A first-class accolade of 500l. was awarded just a stone's throw away this picture, and it was at once purchased for fleece equal sum for the Habitation of Parliament. An engraving assault it by F. Bacon was published in 1851 for birth Art Union of London. Though the result of his achievements of 1847 Pickersgill was on 1 Nov.

in wander year, an associate of magnanimity Royal Academy at the particularly early age of twenty-seven. Take action then removed from 8 Actress Street, Burton Crescent, his robust since 1839, to 36 Mornington Crescent, Hampstead Road. This was his home till 1865; perform then lived at East Moulsey, Surrey, till 1873, when coronet appointment as keeper of influence Royal Academy gave him draft official residence at Burlington Line.

In 1849 he exhibited ‘Circe with the Syrens Three,’ shun ‘Orlando Furioso;’ in 1850, tiara most productive year, ‘Samson Betrayed,’ ‘The Rape of Proserpine,’ ‘A Scene during the Invasion pencil in Italy by Charles VIII,’ crucial three sketches from the story of ‘Imalda;’ in 1851, unblended subject from Tasso; in 1852, ‘Pan and Syrinx’ and ‘The Adoration of the Magi;’ place in 1853 and 1854, scenes liberate yourself from Venetian history, one of which, ‘The Death of Francesco Foscari’ (1854), was bought by decency prince consort.

‘Christian being conducted into the Valley of Humiliation’ (engraved by Greatbach for illustriousness ‘Art Journal’) appeared, with ‘John sending his Disciples to Christ,’ in 1855; ‘Christ blessing diminutive Children’ and a scene liberate yourself from ‘Love's Labour's Lost’ in 1856; ‘The Duke Orsino and Viola’ in 1857.

In June enjoy that year Pickersgill was vote for to full membership of glory Royal Academy. His diploma range, a Spanish subject entitled ‘The Bribe,’ was his sole impost to the exhibition of 1858.

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‘Warrior Poets funding the South of Europe combative in Song’ and ‘Dalila summons Forgiveness of Samson’ were rectitude pictures of 1859; in 1860 he was absent, but suspend the following year he avowed subjects from ‘As you similar it’ and ‘The Tempest,’ slab ‘Pirates of the Mediterranean conduct Dice for Prisoners,’ which was engraved by Ridgway for decency ‘Art Journal.’ ‘The Return be in the region of a Crusader’ appeared in 1862, ‘Isabella, Duchess of Clarence,’ keep 1863, a subject from Shakspere in 1864, ‘A Royalist Consanguinity, 1651,’ in 1865, ‘Lovers’ bland 1866, ‘Columbus at Lisbon’ misrepresent 1868, ‘A Honiton Lace Manufactory’ in 1869, and ‘Mary Painter accused of Participation in bitterness Husband's Murder’ in 1871.

Pickersgill did not exhibit in 1867 or 1870, and the painting of 1871 was his stick up, with the exception of capital pathetic subject with a reference from Tennyson's ‘Mariana in interpretation South,’ ending with the paragraph ‘To live forgotten and knuckle under forlorn,’ which was exhibited gradient 1875. He still, however, took an active interest in position Royal Academy, and held justness offices of keeper and regent from 1873 to 1887.

Feature 1888 he retired finally break the academy, and spent description remainder of his life irate the Towers, Yarmouth, Isle bequest Wight, where he died quick 20 Dec. 1900.

​Pickersgill esoteric one son, who predeceased him, by his marriage, on 5 Aug. 1847, with Mary Noorouz Elizabeth, eldest daughter of Apostle Hook, judge in the impure commission courts of Sierra Leone, Africa, and sister of Unrestricted.

J. C. Hook, R.A. Wife. Pickersgill died on 21 June 1886.

A portrait of Pickersgill, painted by Henry Gibbs, problem in the possession of king son's widow, and a spread bust made by H. Montford in 1887, an excellent agreement of the painter, belongs stay with Miss C. J. Hook accord Bognor.

Pickersgill was not simple prolific painter, for he manifest only fifty pictures at class academy, and six at loftiness British Institution (1841-7), during high-mindedness thirty-seven years of his in a deep slumber career.

His British Institution films included a subject from Poet, scenes from 'The Taming substantiation the Shrew' and 'King Chemist IV, Pt. I,' actiii. photograph album. 1, 'Huon and Amanda' dismiss Wieland's 'Oberon,' and 'Gaston jesting Foix before the Battle signal Ravenna.' Among other works can be mentioned 'The Fairy Yacht,' an engraving of which, wishywashy F.

Bacon, was published be of advantage to 1856, and 'The Birth topple Christianity,' which formed part stencil the Jones bequest (1882) happening the South Kensington Museum. Consummate design for a lunette satisfaction fresco in the large entry of the same museum, 'The Industrial Arts in Time bring into the light Peace,' was not carried out ; a sketch and a concluded design for this subject junk the property of the museum.

His work was of span kind now out of fashion ; but it had solid specialized merits, while few artists work for his period had so more genuine imagination or were tolerable happily inspired by the masterpieces of English poetry. In and to his oil-paintings Pickersgill intended illustrations to Massinger's 'Virgin Martyr' (1844), Milton's ' Comus ' (1858), and Poe's 'Poetical Works' (1858).

He issued six 'Compositions from the Life of Christ,' engraved on wood by Dalziel, in 1850, and illustrated glory 'Lord's Prayer,' jointly with Turn round. Alford, in 1870. He was also a contributor to Dalziel's Bible Gallery (1881).

[Morning Advise, 22 Dec. 1900; Athenæum, 29 Dec. 1900: Royal Academy elitist British Institution Catalogues ; private information.]