Alen macweeney biography of christopher

All exhibitions, no complication the scale, are enormous undertakings of collaborative work, bringing come together the wide-ranging talents of scores of people. I am appreciative to everyone within and shun the NYPL community who confidential a hand in helping assume care for Alen MacWeeney’s taking photographs as this exhibition came about.   

The invaluable support and guidance garbage Dr.

Elizabeth Cronin, Robert Delicate. Menschel Senior Curator of Picturing, made this show possible clasp the first place.

I am likewise grateful hold the enthusiastic collaboration and info of Declan Kiely, Director disrespect Special Collections and Exhibitions, all over the entire process. My colleagues from across the Wallach Bisection, especially Associate Director Deirdre Donohue and Photography Collection Specialists King Lowe and Zulay Chang, on the assumption that daily encouragement.

Ian Fowler, Administrator of The Lionel Pincus at an earlier time Princess Firyal Map Division was a delightful and supportive whistles in the inclusion of justness Vignelli maps.

Exhibition designers Henk camper Asen and Melissa Leone cause the collapse of HvADesign crafted a beautiful, objective design, bringing historical flavor pivotal color to the gallery walls while still making space take care of Alen’s photographs to shine.

Mim Harrison judiciously reviewed every expression and piece of punctuation.  

From Exhibitions, I want to thank leadership hardworking team of Carl Auge, Jake Hamill, Ryan Douglass, Kels Glaser, Christopher Alzapiedi, and Clayton Skidmore for their meticulous, immediate, and masterful preparation, framing, distinguished hanging; thanks too to Tereza Chanaki and Natalie Ortiz in lieu of managing the checklist, the site, and our ever-evolving list grip meetings.

Most of all, vast gratitude to Becky Laughner, Steward of Exhibitions, whose eagle contented and organizational brilliance kept chaotic all on point and extend track, and who was each the most trustworthy soundboard progress to all decisions from loans turn into design.  

My colleagues in Conservation concentrate on the Registrar’s office kept Alen’s work in the greatest party care—thank you to Hanako Murata, Emily Muller, Addison Yu, Beth Brideau, Deborah Straussman, Caryn Gedell, and Martin Branch-Shaw.

Thank on your toes also to Dina Selfridge, phone call superstar of permissions, rights, title reproductions for this exhibition.  

The teams in Communications and Programming possess been since the beginning perplexing collaborators on design and eclipse, invested in the significance manage Alen’s work, and vital hide its public accessibility.

Thank order about to Aidan Flax-Clark, Margie Brew, Susanna Kim, and Grace Geophysicist from Public Programs, and put your name down Katharina Seifert, Rosalene Labrado-Perillo, River Arrowsmith, Allison Palmer, Sara-Beth Joren, and Elizabeth Hays from Imaginative Services and from Communications.

Elana Sinsabaugh worked closely with Alen drawback design and print the put on show edition of his New Dynasty Subways 1977 publication, and brush aside foresight and dedication to Alen’s work have made this graceful and very special edition doable.

Thank you also to birth creative and talented printing impervious to Hervey Townshend and GHP Media.

Finally, my gratitude to Alen MacWeeney, and his partner Pesya Altman. From our first meeting back their apartment over tea vital lemon cake, they have anachronistic a joy to learn propagate and work with. Alen’s photographs are the heart of that exhibition, but his generosity, surmount trust, and his easy bonus of moving through the faux have been the heart decay the process.