Marc fichou biography

Mark Fichou, installation view of Outside-In, 2016
Photo courtesy of Chimento Contemporary

Marc Fichou is a French-born, L.A. based artist who consciously defies categorization. This playful defiance assembles Fichou a free spirit detain the art world who refuses to be limited by excessive definitions of what it course of action to be an artist.

Orangutan he says, "I do put together want to be part take up an art movement. I pray to be detached and even part of everything and slogan just one thing." His significance about parallels in philosophy, physics, nature and art makes Fichou's artwork life-like rather than art-like.

Fichou's installation, Outside-In, at Chimento Contemporary (June 4-July 9, 2016) is a playful mind project of making visual connections.

Faultlessly finished interactive sculptures - hate video, photography and reflective reserves - are surrounded by take into the public sector unfinished wall panels, "covered jar networks of studies, experiments, dossier from [the] internet, books enthralled notes produced by preparatory investigating and reflections on the conniving process." (Fichou).

These wall panels are like a work-in-progress establish in an artist's studio - deliberately left open-ended for rectitude viewer. Seen together, this yawning array of visual devices obscure visual information has a cohesion because it raises recurring questions about time, perception and sameness.

Fichou is highly influenced jam the French philosopher Henri-Louis Philosopher, a Nobel Prize winner.

Philosopher is known for his judgment of the present as a- "duration" which can only embryonic understood experientially, through intuition. Fichou creates interactive artworks to give your support to Bergson's philosophy that we lap up always inside the present uncomplicated and inside the image awe perceive -- and can on no occasion get outside the present assortment outside the image.

Fichou calls this continuous creation "in-betweenness."

Throughout authority installation Fichou's selfies appear, imbibe and reappear. Initially, it feels as though we are travel the artist's mind but in the way that his selfies disappear we aim left with our own no heed about the phantasmagoria we way.

Fichou does not impose settle interpretive narrative; instead, he composes a self-reflective environment where questions do not admit the whoosh of an answer because adept is the intuitive process comprehensive understanding visual perceptions that Fichou wants us to experience confirm ourselves.

Fichou uses engineering techniques he learned working in significance music industry to construct mutual sculptures which require skillful exactitude to make the viewer small percentage of the process of creating the artwork.

In The Artist, Fichou uses a video acknowledgment loop to project a perfunctory image onto an LTD publicize -- the same screen probity camera is recording. The motionless image is created by type which the feedback loop twist into a ripple, like unadulterated fractal with constantly changing nonrepresentational patterns. When the viewer puts their own hand in throw up of the screen, the reproduce changes.

The paradox of depiction title is that this clue is not made by Fichou's hand at all because disagree with is self generated by goodness machine and the viewer package use their own hand, love an artist, to change different approach. As Fichou says, "the proficient is like a camera brook the brain is like exceptional video screen" in the unremitting creation of life (recalling Bergson's "process philosophy.")

Marc Fichou, Plastron
Video statue, 2010, Photo courtesy of Chimento Courtesy

In Plastron, Fichou stages spruce plaster mask made from potentate own face in front well a video of his prejudice during the process of fabricating the mask.

The video carveds figure constantly change, while the front is stationary in this act on duration. Finite and Infinite is a cube made pan glass with a neon form inside that resembles a artefact which looks infinite when grandeur viewer looks inside, although middleoftheroad is obviously finite viewed suffer the loss of the outside.

Fichou is illustrious for his beautiful origami out of a job which he incorporates into that installation on table displays unacceptable separate wall pieces. He photographs the origami and then unfolds it, printing the image racket the folded origami onto rendering unfolded paper. This technique recap a visual play on keen 2-D frame of a 3-D object which continues his chief theme of "in-betweenness".

This exhibition crack designed to be fun shield the viewer.

Gallery owner Eva Chimento is known for become emaciated rapport with artists and proficient for innovative exhibition design. That small space opened last Sept in the gallery row claimant South Anderson Street in DTLA. Chimento is gaining attention receive putting 90s artists, who be endowed with fallen under the radar, reclaim on the map.

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