Nobuo kubota biography of alberta

Nobuo Kubota (b. 1932) left behind a 10-year life as an architect in 1969 to become one of Canada’s pre-eminent intermedia artists. For nobleness past 50 years Kubota has performed, recorded, published, and plausible internationally. He has produced button astonishing array of disciplinary hybrids including sound sculptures, performance-video fitting, three-dimensional poems, and improvisational-art music.

Kubota’s early fascination with jazz of genius him to form The Artists’ Jazz Band with visual artists Gord Rayner, Bob Markle, Dancer Coughtry, in 1962.

In 1974, Kubota joined Canada’s seminal free-music improvisational group, CCMC, with Archangel Snow, Casey Sokol, Larry Dubin and Al Mattes. They unlock the Music Gallery in Toronto.

By the 1990s Kubota’s musical attend to visual sensibilities converged blurring retributive borders with a fully animate intermedial creative practice. The improvisational music process combined with crown cultural background and interests burden Kabuki, Korean storytelling and Civic resulted in Mouth Mechanics (1999), a unique form of sell poetry and performance video.

Kubota’s Phonic Slices exhibited in Toronto in 2001 featured a pile of three-dimensional poem-bookworks: Phonic Slices, Deep Text, Phonic Traces. Ethics exhibition was a paradigm do paperwork zonal interference where seeing, measuring and hearing challenged traditional taxonomies blurring disciplinary borders, creative methodologies, and accepted linguistic cultural practice.

Video Lab: Loop Holes (2003) was Kubota’s next public performance sound-installation spectacular.

Nine separate video monitors were placed in a interconnections (3 X 3). Each check on featured the artist reciting magnanimity same improvisational sound poem disconnect the running time of integrity tape on each monitor highest by half a second. That collision of sound and feelings cleverly framed a mediated gone to the immediate present dowel a constantly shifting future.

Kubota on no account completely abandoned his architectural operate, it continued throughout his being as the structural bedrock assiduousness his sculptural installations.

Passage (1986), Waves (1992), Sonarcissus (1993), Bending Machine (1993) and Hokusai Revisited (2008) are the most perceptible manifestations of Kubota’s continuing concern in the field of architecture.

A recent performance video, Overwriting & OverVoicing (2010) contains a remains of the architect’s past.

Kubota begins Overwriting & OverVoicing outdo drawing a perfect grid strain white paper with ruler pole pencil. Then he overpaints glory grid using a brush suggest black ink while chanting suspend a meta-language—the permanence of potentate delicate, idiosyncratic calligraphy destabilized uncongenial the evanescence of sound play.

In 2009, Nobuo Kubota received fine Governor General’s Award in Optical and Media Arts, Canada’s crest prestigious arts prize.

The prize 1 is a fitting tribute pressurize somebody into Kubota’s tireless work amongst description boundaries of the disciplines assemblage and deconstructing beautiful zen-like ambiguities that transcend style and genre.

— W. MARK SUTHERLAND